Gardar Eide Einarsson

Born 1976. Born in Oslo, Norway. Lives and works in Tokyo.

Whitney Museum of American Art Independent Study Program/ Cooper Union School of Architecture, Architecture and Urban Studies Program
Whitney Museum of American Art Independent Study Program, Studio Program
Staatliche Hochschule fur Bildende Künste-Städelschule
National Academy of Fine Art, Bergen, Norway

Recent Solo Exhibitions
SHTF, Team (bungalow), Los Angeles
Distinct Functional Layers Help Establish Hierarchy And Order, Nils Stærk Contemporary Art, Copenhagen, Denmark

Freedom, Motherfucker. Do You Speak it?, team gallery, New York
A madman, a patient, a condemned man, a worker or a schoolboy, AROS, Aarhus, Denmark

He Likes the Fiestas. He Likes the Music. He Likes to Dance, Maureen Paley, London
Tarp, STANDARD (OSLO), Oslo, Norway

Selected Group Exhibitions
At This Stage, Chateau Shatto, Los Angeles, California
PAINTING |OR| NOT, KaviarFactory, Henningsvær, Norway

No Man is an Island - The Satanic Verses, ARoS Aarhus Kunstmuseum, Aarhus Denmark
Send in the Clowns, Nils Stærk Contemporary Art, Copenhagen, Denmark
For Pete’s Sake, Carl Kostyál, Stockholm, Sweden
Golden Eggs (organized by Alissa Bennett), Team Gallery, New York

Colección Jumex, In Girum Imus Nocte et Consumimur Igni, Museo Jumex, Mexico City
Marlborough Lights, Marlborough Broome Street, New York
Cannibalism? On Appropriation in Art, Zachęta National Gallery of Art, Warsaw, Poland
Taguchi Hiroshi Art Collection; A Walk around the Contemporary Art World after Paradigm Shift, The Museum of Fine Arts, Gifu, Japan
The World is Made of Stories, Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway

Speak through Art, Kaviar Factory, Henningsvær, Norway
The Disappearance of the Fireflies, Prison Sainte Anne, Avignon, France
The Moderna Museet Collection/ Unpainted Paintings, Moderna Museet, Stockholm, Sweden
Take Liberty, The National Museum of Art, Architecture and Design, Oslo, Norway
Chez Perv, with Oscar Tuazon and Matias Faldbakken, Team, New York
New Ways of Doing Nothing, (curated by Vanessa Joan Müller and Cristina Ricupero), Kunsthalle Wien, Vienna, Austria
El Teatro Del Mundo/The Theatre of the World, Museuo Tamayo, Mexico City, Mexico
The Crime Was Almost Perfect (curated by Cristina Ricupero), Witte de With Center for Contemporary Art, Rotterdam, The Netherlands